4 Intensives

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David Lakein: Ensemble Improvisation Practise: “The play of Presence in Performance”

*Lingering in Sensation : The Theater of Intimacy*

The diligence of sustaining a state, the practice of absorbing emotion, the discipline of persisting in thought demands physicality, imagination and an intimate collaboration with spacetime.

This intensive outing takes the above statement as both a challenging point of departure and a comforting place of arrival. Our research into the performer-audience relationship in theatrical scenarios dives into questions about duration, intensity, texture and dynamic, among other compositional considerations—all toward revealing insights into these central questions:

What is the narrative potential of distinct sensations?
How do layers of intimacy create emerging storylines?


David Lakein

David Lakein (Berlin/Chicago) is an interdisciplinary artist, choreographer-director, educator-facilitator, organizer and writer, who collaborates extensively with other artists from diverse backgrounds and performs-researches-teaches across the United States & Europe and around the world. His work swirls around the borders between dance, theater, cabaret, performance art and social scenarios, often incorporating installation and video elements. Whether completely set or entirely improvised, a solo performance or community gathering, on stage or in the back bushes, the work often includes a significant degree of interactivity—inviting and provoking participation from the viewing-listening-reading audience. Lakein embraces and confronts the tensions between the ordinary and sublime, situating his performative creations on the edges between the profoundly serious and ridiculously silly, especially in the intersections of daily life, metaphysics and spirituality. His practice is built on a foundation of image-making, improvisational scores and dramaturgical devising, and strongly influenced by books & bars, stand-up & standing-around and meaning & mystery.

Lakein is a well-respected teacher and facilitator known for his inquisitive nature and dedication to a rigorous (un)learning process that embraces generous discipline and intelligent laziness. He has over twenty years experience with physical, performing and performance arts, and with somatic movement arts (body-mind-centering, alexander technique, etc), martial arts (aikido, qi gong, etc) and meditation practices. Whether facilitating students in workshops and performance projects or bringing artists together in laboratories or festivals, he is committed to dialogue as a creative act and research as a transformational encounter.

Lakein studied philosophy & literature, and acting & directing in the United States, trained as a dancer, choreographer and performer in Berlin, Amsterdam and San Francisco, and studied visual arts in Chicago; he holds a BA from Wesleyan University, a BFA from the School for New Dance Development Amsterdam School for the Arts, and an MFA in Studio Arts from The School of The Art Institute of Chicago.

http://lakeinworkshops.wordpress.com/

 

Elske Seidel (Ger): A State of Presence in Contact Improvisation

This intensive is an invitation to open into a state of presence.

We will be.
Listening. Sensing.

Connecting deeply with the earth we will follow our movement quality from within. Releasing into the place where we will discover timelessness & ease, trust & freedom. We will close our eyes looking, finding and allowing, researching as we explore our body in relation to gravity. Diving into the continuous and ever-fascinating dialogue with gravity’s forces, we will play, learn, and move from discovery.
Based on sharing one common center of weight we will enter our conversation with gravity. Out of a deep place of trust we will meet moments of flight where the body listens, knows and responds catlike. Where we have to do less, practicing ‘getting out of the way’ allowing the body to respond, rather than our minds to control. What organization does my body need, when I allow gravity to play with me? How can I use my body’s innate knowledge and very weight ‘to play’ gravity?
I am interested in the movement quality sourcing inside of us. Can we sense our bones ‘floating inside of us’ as we move? Can we allow our body to stay easy, soft and open, - to be like its water as we move together through different levels, transitioning continuously from supporting into being supported, from under-dance into flight?

For me as a teacher I am deeply inspired to open and support a space where dance in all its freedom and vital magic can happen. I witness that as I hold the space, the simple experience of presence creates meaning & depth in each of us. Our potential for transformation in dance and beyond becomes available to us and I am profoundly touched by this natural process, blowing gently on the sparks of light within us all.

Elske Seidel

Elske Seidel, based in Berlin, is a passionate CI dancer & teacher, deeply committed to CI and its community internationally. She has been teaching dance full time and wholeheartedly for two decades, CI since 2004. In her teaching she believes in ‘opening spaces where dance in all its vital magic and play can happen’.
She likes to create CI events that bring the studio focus outside into nature and into the experience. She enjoys gathering community merging life and dance together. She loves to support practice, jamming and research. She has taught CI in Europe, Canada, the U.S., Argentina, Israel, Russia and Japan.
She is the artistic director of the Annual Contact Festival Fuerteventura/ Spain, Contact Saturday Berlin, as well as co-creating the Berlin Weekend Jam, 23h Jam Berlin, North Sea CI Camp/ Germany, Dance Your Questions: CI Research Week for Experienced Contact Dancers at Ponderosa / Stolzenhagen/ Germany and CI Training Program Hamburg/ Germany.

http://canarian.contactfestival.info/

http://www.improtanz.de

Kabiro Scheller & Daniel Werner : Contact-Improvisation in Water & on Land

We listen to our inner movements which are born in different “worlds”.
Through waterdance , the “Waterworld” brings memories from very early movement patterns
and qualities, which are basic for our highly developed and very complex movement potential .

“On Land” we will give the body space for the experience of ‘being carried’. The movement arises from
an alive and awakened body-centre, which is ‘dancing’ through all levels in space.
We get in touch with our natural movement power by playing with elements of body-mind-centering, early childhood developmental movement patterns, bodywork & improvisation.

A wonderful possibility to learn & to deepen essential material and skills in Contact Improvisation.

 

Daniel Werner

Daniel Werner works internationally as a teacher for dance and is teaching Contact Improvisation since 1997. He studied Contemporary Dance at the North Karelia College in Finnland. His movement, being and teaching is also inspired by body-mind-centering, asian movement arts and fascia research.

Also he is involved in the following projects: 

 

Kabiro Eva Scheller

dances Contact-Improvisation since 1994 together with different teachers from the USA and Europe. She teaches Contact-Improvisation and Hawaiian Massage and has a very much experiance to lead people into their unique movement- and life-potential with love and joy.
She is organising the osterimprofestival.info and the healingheartfestival.de and she accompanies groups to Hawaii.

 

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Peter Krempelsetzer: Contango

Contango is a fusion of Argentinian Tango, Contact Improvisation and freestyle dance. How do these danceforms enrich each other?

Tango stands for sensuality and heart-connection in the dance. There is Leading and following with very fine listening to each other. In Contango the change of lead gives new possibilitys for the male and female role.
Contact Improvisation adds moments of leaning, lifting and free flow of movement without leadership.
That creates a free and at the same time committed couple dance full of creativity, joy of movement and surprising moments.
We dance with changing partners and sometimes in trios. Peter teaches in a playful way. He offers creative impulses for tangodancers and at the same time an easy approach for dancers without any tangoknowlege.You can exspect sensual, slow dances and also beats to rave up.

Intensive Teacher: Peter Krempelsetzer
Assistenz: Andrea Gröger

Peter Krempelsetzer

born 64, studied movementtheater at Scuola Dimitri (Switzerland), furthermore Dance and Improvisation. He develops Contango since 2007 in munich and leads there regulary Contango-Milongas.
In his stage productions Peter works as a performer crossover in dance, music and theater. His special interest is in improvisation as an independent form of Art. Peter lives in munich and founded there the ImproArt improvisation-school. He teaches Contact Impro, Contango, Action Theater Improvisation, Dancetheater and Performance.
More about his backround and teaching:

teaching: http://www.improart.de

performing: http://www.comtesse-co.de, http://www.freefishing.de