OsterImproFestival
 

Intensive

Choose with your registration:

1

“Dance...”

with Ingo Reulecke

The dance theater of  the 21st century developed a huge variety of possibilities.

To enter towards an available, released and present body, we use principles of Alexander Technique and Susan Klein to warm up. The invitation of momentum and gravity, space and time into the process of digging into the body/mind-connection supports us to perform with all our senses. As well I'd like to work with performance aspects by engaging the senses and trying to help softening patterns.

Ingo Reulecke

freelance choreographer and dancer with a professorship in choreography and improvisation at "Ernst Busch" university for the “art of acting” in berlin.
His last work was a collaboration between 5 choreographers performed in tanzfabrik berlin.

He is lives in Berlin and works wirh many different artists.

 

Ingo Reulecke

2

“Performance Theatre”

with Ferenc Kréti

 

„Live is what happens while you are busy making other plans”
(J. Lennon)

Diving into the unknown through being and expressing the moment. In Performance Theatre we are exploring the empty space using movement and speech, working from solo to group performance, playing both comedy and drama.

How to express myself? What is stopping me being a ‘authentic’ player, what is the difference between ‘showing’ and ‘being’ on stage? How to create theatre, being an artist in a joyful, respectful and healthy way?

These questions were popping up starting my theatre work 1992 and becoming my friendly sometimes enervating companions since then until today. Through Franki Andersons work of BEING A FOOL I explored an artist way feeding my creativity from a holistic perspective. In Theatre Improvisation being present on stage means for me being able to express what the moment means to me, being clearly in contact with me and the audience. Using the word ‘holistic’ intends for me the present of many inner ‘masks’ being part of myself in one single moment. Being able to separate these masks and putting them on stage in a playful manner is feeding my players performance in a foolish way.

Finding the freedom, trust and courage of choosing my own masks to play leads me personally and theatrically toward a playfool und content life.

 Ferenc Kréti

actor, director and facilitator, fonder of TheaterLabor ArtProductions 1999 as a creative platform and network for theatre and arts work. He studied theatre in TUT – Schule für Tanz, Komik und Theater in Hannover / BRD and learnt theatre improvisation and performance by Franki Anderson (The Empty Space Project / GB) over the last 10 years.

Ferenc Kréti

Ferenc Kréti

3

“On the Way Home”

Music and Dance

Instructed by Orly Portal

Music and dance are tools that enable us to learn the way to freedom – a state in which a person ceases to perceive oneself as separate from the whole, and become liberated from the need to be someone or something. In the core of that experience lays the realization that there’s one source to all.

In this experiential intensive, we will stop and listen. We will explore who we are not, and peel off. We’ll let movement lead our body, and become a musical instrument that plays by itself. Through sound and movement we’ll create opportunities to experience freedom, and through practice and dialogue we’ll establish a language with which we’ll expand the understanding and get acquainted with the path that leads to that experience.

Orly Portal

Dancer, teacher, movement and voice therapist. She developed a unique technique of belly dancing teaching, as a healing tool. Orly instructs movement and voice improvisation workshops, she performs with various international artists around the world. She is based in Israel .

 

4

„BodyStories“

painting, dance and poetry

with Katrin Stelter und Christoph Schütz

In the dynamic interplay between dance, drawing and poetry we can express the stories which are imprinted in our bodies.

Moving with consciousness and intention allows us to shape and deepen our personal material. So we bring our life force into flow and improve our performance skills.

Participants are invited to take new risks with their personal material and art.

Katrin Stelter

dancer, Halprin Graduate and Speech-Therapist. She studied New Dance at Bewegungs-Art, Freiburg and “Life Art Process” with Daria and Anna Halprin, USA. She teaches classes and trainings focusing on the experience of creative flow and improvisation as a powerful metaphor of Life. She lives in Freiburg, Germany.

Christoph Schütz

dancer, actor, movement- and expressive arts teacher. “Life Art Process” work with A. Halprin, USA. Lived 7 years in Marseille, France where he was a member of Ex Nihilo, collectif de danseurs. Since ’86 he teaches and performs dance, theatre and improvisation throughout Europe .

 

Karin Stelter

Karin Stelter

Christoph Schütz

Christoph Schütz

 

 

Childcare

For parents there is a special room for childcare during the festival.
You can leave your baby or child in good care here during the workshops.

More info...

Festivalgeschichte

 


 
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